By Neha Kirpal

Spilled Ink: A simple story of complex race dynamics

Washington DC-based pediatrician turned international bestselling novelist Nadia Hashimi’s latest young adult novel, Spilled Ink (Quill Tree Books), is a story of Muslim, Afghan American siblings who face Islamophobia and xenophobia. The book’s writing is simple and straightforward, and can be enjoyed by young adults and grownups alike. Through a personal and engaging style of storytelling, it manages to convey a timely and relevant global message.

Yusuf and Yalda are seventeen-year-old Afghan American twins who live in a small suburban town in Virginia. Like any siblings, the brother and sister have their differences and enjoy playing harmless pranks on each other. One evening, Yalda secretly sneaks out to watch Yusuf performing with his band at a local venue. What’s even more exciting for her is the fact that Yusuf’s friend Keith asks her to go with him. However, the night has some unpleasant surprises in store.

When the opening band makes a racist joke about terrorists, Yusuf decides to take a stand by making an impulsive stunt responding to the hate speech. This gets a lot of mixed reactions from the crowd, and the incident boils over, leading to simmering tensions, controversy, and ultimately violence. Soon, there are videos, comments, and opinions flying all over the place. When people begin to boycott Yusuf and Yalda’s family’s Afghan restaurant, their parents get to know. And when Yusuf goes missing, and is later found seriously injured, everyone is scared.

Being Afghan teens in suburban America

Hashimi is herself the daughter of Afghan immigrants, something that is quite evident from the book’s prose. “The story is also about the truth that while Afghan refugees received during Operation Allies Welcome were not always met with open arms in every American community, there was a remarkable outpouring of hands-on support to soften their landing,” she writes in the author’s note.

In one instance, Yalda ponders what it means to be Afghan. The truth hits her hard—“So many Afghans across decades have been running. Away from violence, away from their homes, away from people they loved,” she muses. At their family restaurant, there is a poster of the National Geographic cover with the cliché photograph of the green-eyed Afghan refugee girl, “the one who haunts every Google search for ‘Afghan girl’.” Yalda’s teacher struggles with pronouncing her name correctly and asks her if she’s Middle Eastern or Persian. Even though she was born in the US, she routinely gets such reactions from people, and is also used to explaining herself to them.

Read: The Forgotten Female Sufi Masters of the Afghan Empire

Further, it is obvious to Yalda that her parents are more conservative and strict; dating and relationships are taboo subjects, quite in contrast with the parents of many of her friends. Even though Keith feels that Yusuf and Yalda don’t look religious or extreme, Yalda wonders if he would change his opinion of her if he saw her in a headscarf at a masjid. While telling him about their family’s winter solstice holiday, which she is incidentally named after, she even wonders whether she is nothing but a curiosity to him instead of a crush.

Making sense of hate crimes

“I think of the young man in a gray suit and a soft pink tie, a smile that tells you he was the life of the party. The mom of six shot on the sidewalk of her quiet neighborhood. The three young adults who had been playing a board game were summoned outside and shot by an irate neighbor.” These are some of the thoughts that run through Yalda’s mind as she ponders about repeated incidents of people being attacked for being Muslim post-9/11.

Thousands of hate crime incidents are reported in the U.S. every year. The author notes that such incidents occur in supposedly safe places, such as homes, roads, schools, restaurants, and playgrounds. These usually show up in the form of graffiti or hate speeches as well as physical or emotional violence, especially post-9/11.

The book spotlights one such incident

Buried in the story is this reality of hate and fear portrayed sensitively through the journey of one family. When Yusuf becomes a victim of a hate crime, there is fortunately an outpouring of sympathy, support, and prayers for him.

In her author’s note at the end of the book, Hashmi writes, “We are imperfect creatures and too often approach others with assumptions and stereotypes, stigmas and hesitation. But we are also artists in a way, creating our stories and drawing connections. We are continually evolving beings at every stage of our lives and judgment can give way to grace.”

Read – Book Review: Afghanistan’s Rocky Road Ahead: What needs to be done?

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Neha Kirpal is a freelance writer based in Delhi. She has worked for over a decade in print, television, and online media. Her diverse interests in the culture beat include books, music, travel, films, and theater.

Courtesy: India Currents (Posted on November 18, 2024)

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I am the volcano and the ice of Antarctica…

Alma Buljubasic Maglic, a poet from Bosnia and Herzegovina, based in Denmark, shares her poems

Alma Buljubasic Maglic was born in Travnik, Bosnia and Herzegovina, where she was educated. Due to the war in her country, she went to Denmark, where she started a new life. She has published her three collections of poetry and 36 joint collections, and is a participant in four world anthologies.

Identity

I am this world that adorns me with forests and rivers,

That embraces me with its cities and washes me with its rains.

I am the sea and the ocean, the captain of my ship, under this firmament.

I am the volcano and the ice of Antarctica,

The most beautiful image of him,

I am the sister of every brother,

I just separate myself from the war.

My life is this most beautiful garden of a forgiving soul,

My heart preserves its identity and loves the whole world…

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The desire of dreams

I want someone to wake me up in the morning to offer me his sighs,

With a look to hug me hands to tender breasts to rush.

To receive kisses as a gift for love it’s not a thing when you truly love,

The heart and first love get over it.

A gentle breeze from the pocket to wake us together,

Behind him the sun to offer us its splendor, to carry us to our dream sphere.

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Read: Let peace and love unite the world – A Poem from Bosnia and Herzegovina

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[Fadwa Attia Mohamed, born on December 22, 1976, in Cairo, Egypt, has specialization in Photography, Oil Painting and Decorative Theater. She did bachelors from the Faculty of Applied Arts, Major- Décor in 2000. She is member of the Association of Applied Arts Designers and the Cairo Atelier for artists and writers. She is Head of the Department of Fine Arts Palace of Child Culture of the Ministry of Culture. Several exhibitions of her work have been held nationally and internationally. She has published articles of the Cultural surrounding in the Ministry of Culture and ready to issue a collection of short stories. She is winner of dozens of awards and certificates.]

Fadwa Attia speaks about the role of the artist and his identity in society through the various arts: theater, cinema, television, fine art, and others.

What is the current role of the artist in his society? Does he need to consciously understand how to use his artistic and cultural identity?

Yes, he needs it. Identity is an essential part in shaping the artist’s conscience, awareness, thought, and art. This is not easy. On the contrary, it requires an educated artist who has a real awareness of the meaning of intellectual, cultural, artistic, and other identity.

So we need that awareness of identity in order to make it an integrated role in society, in addition to the presence of other elements with it: originality, modernity, etc., which makes us able to understand its importance to the true, honest creator, even if this creator is an amateur or an obscure person. This makes us contemplate, and contemplation stabilizes the sense of identity. All of them are key elements for building a true identity with a clear concept for everyone and society, and make the artist of real value in his art. This brings us to the established fact that art without identity is alien to us, or was it our choice to be influenced by what was around us?

Perhaps for reasons I mentioned previously, there is something new every day, rapid development every second, faster technology, continuous technological development, globalization and artificial intelligence. This makes us race against time, so we are to review what we receive in terms of cultures and cultural, intellectual and technological development, especially at the present time, which are all endless challenges.

Is there enough time for us now to review the various arts we offer in theatre, cinema, visual art, singing, religious chanting, and television drama?

I give one answer: I don’t think so. Times have changed, standards and concepts have changed, and everything has changed. Even the level of our daily dialogue has become rapid. We really need to review it.

Within ourselves, different arts came to us from abroad, and we began to want art and receive it quickly. You see, for example, that different arts can be presented on different platforms on the Internet, whatever the series, films, etc. The virtual world has appeared and changed the features of our lives. For example, an episode on Facebook presents… One of them was an artist in five minutes, and now we have what is known as the condensed, useful center in episodes lasting from five to ten minutes. Some of them present their art without providing an identity, for the sake of fame or money.

READ: THE WAY OF BEAUTY – THE COLOR WORLDS OF ITALIAN ARTIST MARIO NARCISO

There has become a real crisis, as we do not understand what is presented to us and to future generations.

If change is required, but with real awareness and understanding, it starts with the artist in turn, who is the one who raises awareness of society through art, as art is a message. The recipient of all types of arts loves to see what he understands and discuss its issues, but in a useful summary, because we have become in the age of speed, it is necessary to change while keeping pace with what is new in this era, and this makes us accept everything new with open arms. Therefore, we will present different solutions from refining talents, building ideas in light of the era of globalization, and developing human development.

Read: The Art of Storytelling

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Prepared by Angela Kosta Academic, journalist, writer, poet, essayist, literary critic, editor, translator

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Abu Dhabi

The inaugural Ajman Folklore Festival, themed “Ajman…Embracing History and Identity” is set to take place from 19th to 21st April. Being held under the patronage of Sheikh Ammar bin Humaid Al Nuaimi, Crown Prince of Ajman and Chairman of Ajman Executive Council, aimed at enhancing heritage and cultural awareness within the Emirate of Ajman.

The event is a collaborative effort between the Ministry of Culture, the Ajman Department of Tourism Development, the Rewaq Ousha Bint Hussein Cultural Centre, and the MTG Events Organizing Company.

This announcement was made during a press conference hosted by the Rewaq Ousha Bint Hussein Cultural Centre. The event saw the presence of representatives from the Ministry of Culture, the Ajman Department of Tourism Development, Dr. Mouza Ghubash, the festival’s president, as well as the MTG Company responsible for organizing the festival’s events.

Dr. Mouza Ghubash, Chairwoman of the Rewaq Ousha Bint Hussein Cultural Centre and president of the festival, expressed her gratitude for the collaborative efforts of the Ministry of Culture and the Ajman Department of Tourism Development in organizing this festival. She highlighted how the event showcases the diverse and vibrant cultural heritage of Ajman, emphasizing its importance in fostering awareness among youth regarding folklore and heritage. Dr. Ghubash emphasized that this particular festival holds a special significance as it greatly contributes to the preservation of societies’ cultural and historical identities.

Ghubash further mentioned that the festival serves as a dynamic platform, offering young individuals the chance to explore and delve into their folk heritage through artistic displays and a range of traditional performances showcased throughout the event. Moreover, incorporating regional and global heritage into the festival fosters cultural exchange among communities promotes mutual understanding between diverse cultures and societies, and deepens their appreciation for the value of diversity in enriching human civilization. Ultimately, such initiatives contribute to fostering peace and tolerance among peoples.

A key focus of this festival is to spotlight the ancient heritage of the Emirate of Ajman, utilizing the festival as a platform to exhibit its distinctive cultural and artistic legacy. These events play a vital role in preserving Emirati heritage and passing it down to younger generations, thereby reinforcing national identity and nurturing cultural exchange within the community.

The Ajman Folklore Festival represents a valuable chance to enhance cultural awareness and promote cultural and global engagement.

Dr. Muna Al Suwaidi, programs and projects advisor at the Ministry of Culture, affirmed that the Ministry of Culture hosts the Ajman Folklore Festival at the Creative Centre in Ajman. “This participation aligns with the Ministry’s objective of promoting the preservation and safeguarding of cultural heritage, the Arabic language, and national identity. The festival is part of our ongoing efforts to promote cultural exchange and mutual understanding among peoples, fostering cooperation and peaceful coexistence. It serves as an excellent platform to showcase the diverse cultural heritage and folk arts from around the globe, representing our shared human identity. “We warmly invite everyone to join this distinguished event and celebrate these cultural festivities together with us.”

Abdulaziz Al Mahri, official representative of the Ajman Department of Tourism Development, said that the festival’s primary goal is to showcase the Emirate of Ajman’s rich cultural heritage, thereby improving the overall visitor experience and highlighting the emirate’s tourist and cultural attractions. He also emphasized the department’s ongoing commitment to supporting cultural and artistic initiatives, as well as promoting cultural interaction and exchange within society, aligning with the vision outlined in Ajman Vision 2030.

The festival’s goals encompass emphasizing the significance of cross-cultural communication between Arab and international communities, showcasing local Emirati folklore, conserving local, international, and Arab heritage and culture, fostering understanding and cultural exchange among diverse cultures, increasing awareness of the significance of folk arts and folklore in people’s lives, and fostering connections and communication between peoples.

The festival also boasts a diverse and extensive program, featuring a wide array of concerts, folkloric performances, cultural showcases, and workshops. Additionally, there will be an art exhibition, a display of ancient collectibles, culinary delights, fashion shows, daily competitions, and shopping kiosks catering to enthusiasts.

On the festival’s inaugural day, there will be a lineup of Emirati folklore activities, featuring the opening of an art exhibition and a display of vintage collectibles both indoors and at external kiosks. Emirati folk performances like Al-Ayyala and Al-Yawla, as well as workshops on wicker painting and candle making, will also take place. Furthermore, there will be an Emirati artist’s gathering and a symposium on Nabati poetry, concluding with the announcement of the winners of the competition for the most captivating Nabati poem about Ajman.

The festival’s second day will feature an enchanting display of Arab folklore, with a lively folk dance performance representing countries like Palestine, Egypt, Iraq, Morocco, and Yemen. Adding to the ambience will be the rhythmic drumming of artist Muhammad Karazon, complemented by popular songs from each nation. Furthermore, attendees can participate in a workshop focused on Palestinian embroidery and explore an exhibition showcasing folkloric costumes from various Arab countries tailored for adults. Excitingly, there will be a competition highlighting the most exquisite folkloric costume for children, along with a captivating artistic concert by the Syrian folkloric band Takat.

On the third day of the Ajman Folklore Festival, there will be a captivating folk dance showcase featuring multiple international groups, including Circassian, Chinese, Indian, Korean, Turkish, and others. Additionally, there will be an exhibition of international folklore costumes. The festival will also welcome Uzbek artist Azam Shek and announce the winners of a competition for the most beautiful international or Arab heritage painting. Furthermore, a Chinese teaching workshop will be held as part of the day’s activities.

Published under the International Cooperation Protocol with Middle East Business | Life Magazine Abu Dhabi

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Read: Abu Dhabi named Arab Environment Capital

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SHOUKAT LOHAR

Language and identity are inextricably linked, as the language we speak often plays a significant role in shaping our sense of self and our cultural identity. Our language not only enables us to communicate with others, but it also reflects our beliefs, values, and cultural heritage.

Language is an essential component of our identity, as it reflects our cultural background, personal history, and social status. Our language is often the primary means through which we express ourselves, and it shapes our worldview and how we perceive ourselves and others. Our language helps us communicate our thoughts and feelings and allows us to connect with others who share our cultural background and experiences.

Language also plays a significant role in shaping our cultural identity. Our language is often tied to our cultural heritage, traditions, and history. For example, the French language is closely associated with French culture, cuisine, and history. Similarly, the Spanish language is closely tied to Spanish culture, music, and art. Our language helps us connect with our cultural heritage and reinforces our sense of belonging.

Language also reflects our social identity, as it can be a marker of social status, education, and profession. For example, the use of formal language can be an indicator of education and professionalism, while the use of slang or dialect can highlight regional or social affiliations.

The language that we use can signal our place in society and how we are perceived by others.

Language and identity are also influenced by social and political factors. In some cases, language can be a tool of oppression, used to marginalize minority groups and suppress their cultural identity. For example, during the colonial period, European powers imposed their languages on colonized peoples, often resulting in the erosion of local languages and cultural traditions. In other cases, language can be used as a tool of empowerment, helping marginalized groups reclaim their cultural identity and resist assimilation.

The relationship between language and identity is also complex and multifaceted, as language can both reflect and shape our identity. Our language can reflect our cultural background and personal history, but it can also shape how we perceive ourselves and how others perceive us. For example, speaking a language that is associated with a particular culture can reinforce a sense of belonging to that culture, while speaking a language that is not associated with a particular culture can lead to a sense of cultural dislocation.

Last words

Language and identity are closely intertwined, as our language reflects our cultural heritage, personal history, and social identity. Our language shapes how we perceive ourselves and how others perceive us, and it can be used as a tool of empowerment or oppression. Understanding the complex relationship between language and identity can help us appreciate the diversity of human experience and foster greater understanding and respect for diverse cultures and traditions.

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Shoukat Lohar is Assistant professor in English at Mehran University of Engineering and Technology Jamshoro. He can be reached at Shoukat.ali@faculty.muet.edu.pk

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