Eternal Bond of Beauty and Creativity

The concept of beauty differed from one civilization to another and the arts that flourished in these civilizations expressed similar models and models for beauty

Souad Khalil | Libya

The German philosopher “Hegel” believes that aesthetics is the philosophy of beautiful art, a philosophy of aesthetic conception and a philosophy of the ability to create more and more beautiful, a philosophy of the most absorbing taste.

Beauty is a prominent feature of this existence, if not the most prominent features, and the open visionary realizes beauty from the very beginning. The interconnectedness and manifestations of many graduates feel this consciousness, even if they are unable to express it with a statement.

Although the healthy sense and normal instinct of all mankind automatically feel with the manifestations of beauty, and is taken at first sight, with its influence and authority on the sense of human being, but as long as we find relative measures for each nation that strikes you to find it available from the characteristics of beauty in young people associated with calm and coherence, and are controlled by a concept of harmony and harmony as a higher example of beauty.

The first naturalists of the Greek philosophers used to explain all the appearance of natural elements and to explain all the activities with the secrets of number.

So, the work of art is not only a material, material and drawn fabric, which is the language of lines and colors that represent the form of works of art, but it is a language that refuses repetition even if its appearance is a common geometric, from questions, materials, techniques and for the common earth experiences that have been collected by humanity.

In his first interview (Ebias of the Great), Plato raised the problem of beauty, and Socrates concluded in his dialogue that the problem is difficult, and in order for Plato to solve the mystery of beauty, he remained engaged with him throughout his life almost hesitated in most things of the interlocutors, and concluded that the truth is the same beauty and the same beauty that gave this sharing and therefore his vision.

The truth was hidden and when the artist realized it, Al -jawhari appeared in his artistic work.

Plato believes that beauty is achieved with love.

Love and beauty move the human soul with success and harmony, as Plato says, rhythm and harmony, tapping the depths of the soul, hold it strongly on it, and makes Plato the way to perfect emotions, Plato managed to make the obsession with beauty an obsession with love, for beauty is not limited to art. What is the truth?

So, we find that beauty has been represented in the arts of photography and Umrah, and I have strived to achieve the characteristics of balance, symmetry, coalition and we find no, Plato and Arsti are influenced by these principles which the arts of their time adhered to, deciding that balance, measurement and proportion are the elements of beauty and perfection in all resources.

Aristotle states his famous phrase in his definition of beauty, but beauty is achieved in order and dimensions, and despite the great interest in beauty and immersion in its understanding and interpretation, many philosophers and thinkers have not been able to introduce and modern.

Many philosophers and thinkers throughout history have been associated with their definitions of beauty or its theory of what it is, including Freud, Sayyid Qutb, Kant, Abdel -Qaher al -jarjani and Shabnehur e Lesnj and many others.

If we ask about the source of the influence of beauty or why beauty affects the human soul, we are afraid that it can be explained by the attention of man, as well as that he can take it from himself, then it can be due to identification, as a person, of course, loves to specify and hates the lack of determination, Santiaa said: beauty requires determination.

Or it is considered on a regime that Aristotle said: Beauty is composed of system in many things, and Caser said: art is a system and means an indirect vision of beauty, and in beauty is an organization of the motives of the soul and its inner body.

And when the soul is torn and work is separated from pleasure and self from subject matter and unity and harmony disintegrate, there is a strong need for beauty, so Shiller sees in the modern era the task of beauty, and expands from the scope of aesthetic study and is not limited to studying art, but rather makes beauty a way to restore the lost unity.

If the natural world is governed by force, law, necessity and the world of the soul is governed by moral obligation, beauty is freedom without leaving the law, Schiller’s beauty is a means of rescue and therefore he says, the person must restore himself again at every moment through the life of miles and we must be aware of always and as one of the philosophers of art is the same Drag a moment of logic and inversion, as well as its gaps and meanings. As for beauty, its definition and its definition of its subjects, we will find different directions, which are determined according to the doctrine or direction.

1. A direction that makes aesthetics a study of beauty, whether beauty is in art or nature, and is the aesthetic component a subjective component in human being an objective element in the external world, and is characterized by the nature of stability or is changed by the change of society and civilization and a civilization and is considered the greatest representative of this trend, the world of Platonism, the ancient world and the contemporary of juddherferi and civilization.

2  A tendency that makes aesthetics only a study of aesthetic concepts and terminology, so there is an analysis of the meanings of form, content, model and taste. In this regard, the contemporary French beauty scientist states, in his book, a science for the beauty of contemporary French, aesthetics is a research on the aesthetic judgments of people and limited it to And land, in his philosophical dictionary on studying the subject of the domain of appreciation and taste.

3. A tendency that preaches aesthetics to a study of artistic images, and in this says a world of beauty of contemporary French, Surio, “the aim of aesthetics is to stay on the basic sayings or on the image of the image of the essence of the constant that is organized according to the various aesthetic aspects of this organized universe.
4. A direction that connects all these tendencies with man, where he sees art as a human production, the taste after humanitarianism and governance is a human domain and artistic images are human products, and this is particularly represented by Hegel.

Hegel absorbed every H 1 in his lecture that he gave at the German University, starting with the dowry of 1820, which was gathered after his death, entitled Lectures on the Philosophy of Beautiful Art, in which he said that a science for Jamal is the philosophy of beautiful art, and by this he made the tasks of science to the beauty of distinguishing between the arts of workmanship and the arts of beauty, and made a world of the beauty of the philosophy of any in which he entered the human perspective, and thus excluded the beauty Humanitarian, in this direction, the contemporary thinker “Ozornne” in his book theory of beauty, beauty and criticism, in which aesthetics was considered a branch of the philosophy of criticism.

In general, the love of researchers emphasizes that there are two main streams on the history of aesthetics: a stream that studies aesthetic problems isolated from man and a trend that studies it in its relation to man and the history of aesthetics is a struggle between these currents of arrival, which is impossible for a science for beauty in human science within the scope of what is aesthetic and artistic.

And we must realize together from the previous correlation between beauty and art, so do not visualize beauty without art, and do not imagine art without beauty, and art is a kind of translation of the cold beauty that satisfies nature and manifestation in the hearts of human beings, because beauty is art before being translated, or art with force and art is beauty after translation, and for beauty already as the regions say, and the artist is the mediator between the two, I mean beauty and art, and hence the word is the word art Interferes with the use of the word jamal very much for metaphor sometimes and transgressing the accuracy of Hanna, and if innovation is the science of beauty, it is a knowledge of knowledge, but they are not arguments.

Shaftsber (1671-1712) the presence of a sense of interior is the love of beauty, and this sense is intuitively aware of beauty as the sight realizes the colors in things. The aesthetic connection is a fact of human existence in general, which shows its leanness and its results on how to deal with humanity and their natural and social work.

Aesthetics expresses elements, characteristics and recipes in phenomena, neighborhoods and things, and the works of the technician in the circle of these elements, characteristics and attributes, but the history of art does not diagnose all these elements, characteristics and attributes and artistic works do not constitute all the elements, characteristics and attributes of the aesthetic in reality.

Aesthetics of how is a basic agreement with reality and art adopts in this way, but does not take it, aesthetics is the bond of one of the two parts of all human beings and art is a special activity that artists and public members increase. An indication of what can be in the reality of the public.

And we must realize that the world of innovation should not be considered in the methods of artistic production, but rather devotes its interests to research in artistic taste, and in this philosophy of beauty or innovation differs from the philosophy of art because it does not interfere with the details of the artist’s work, but rather seeks the artistic feeling or aesthetic feeling of the man and the artist’s club. Therefore, Dr. Mira Matar confirms the theory of art in relation to the imperfection of beauty is a scientific theory for the philosophy of science, as well as we can prepare the history of art as the history of aesthetic awareness of the human being.

Furthermore, beauty is a phenomenon that we are in real nature, but natural beauty acquires the value of embrace if not through the eye of the trained artist, for the beauty that we realize for nature is the beauty that the ordinary eye shows, just as the fact that this is that the holes deny the natural awareness of natural outlets,

However, presenting science has quickly changed from this perception and show us another fact based on scientific interpretation, and it is also clear that the use of art is the human way to express the state of beauty. Jamal’s appreciation is a return to the values and standards that it aims to define, and in the words of the graduate, research in art has become the essence of the problem in the philosophy of beauty. In addition to what creators who want to be aware of understanding and their destiny are no longer able to avoid the problem of artistic contribution to increase alienation from man, especially in the modern era.

Beauty and research have been associated with metaphysics in the past since Plato asked, saying: Is the cause of a rose sentence its shape and color? Or are things beautiful by the reasonable cause of ideal degree is an example of beauty?

This question was the starting point of metaphysics, which does not contain the interpretation of things by reference to causes and perceived vision, but rather explains things mentally to reach distant evils other than The direct, and according to the philosophers, in order to reach the reasonable evils with the constant thought that does not change in the days, because the reasonable in metaphysics is the constant and the interpretation of something does not depend on this metaphysical view and is not completed without reaching such a cause. From here, the idea of an absolute or ideal beauty that does not change with the change of circumstances and conditions emerged in philosophy that does not differ according to time and space and that is a cause for every beauty of the opinions on earth and is an absolute and previous beauty that is also on the presence of people and their minds.

And from it all beautiful things come by their beauty, but without its presence, a person cannot know what is beautiful, and cannot even judge the beauty of any of the things he describes in this guise.

It can be said by transgression that beauty appeared as a philosophy or a philosophical subject in Greece and did not turn into an independent science in itself except by the hand of “Bauer broke” in the 18th century, because Greece launched their aesthetic ideas by itself without studying by itself ology, logic, logic, logic and science Politics, linguistic science and philosophers are satisfied with the launch of their aesthetic theories in the framework of discussion or in the framework of general discourse in the chapters of different philosophy as a complete general form.

As for Baumatin, “he identified the fields of this support for science, he showed his arguments, he revealed his origins and his principles and the narration of his relaxation, and his name was set in the form of previous attempts, and his division is branches and doors, and it is the money that happened before because some of the previous ones were launched as a beauty as a scientific research and as a science known for this name Our entrusted to Boumgarn in the middle of the century.

And if we find a large number of philosophical theories that explain the beauty of each philosopher and find a difference between them and human civilizations and subsequent ages, this is a natural thing arising from the perspective adopted by each thinker and the primary philosophical face that represents the essence of each philosophy. It is with philosophies that multiply according to the different intellectual and civilizing factors that influence the formation of philosophical doctrines. This is what we find clear, for example, between the Platonic tendency, which confirms the psychological effect of beauty and depends on personal measure, and despite all that personal measure, and despite all that, the human being produces art for himself and others

So, the paradox of art is the paradox of cosmic uniqueness, and the artistic work is not insignificant except through its transmission through the process of communication, that is, within culture, just as the work of art is unreasonable outside the criteria and material and symbolic cultural values that can be put into effect in its good, but it can be possible the cultural values that can be put into effect.

The concept of beauty also differed from one civilization to another and the arts that flourished in these civilizations expressed similar models and models for beauty. The ancient Greeks, for example, represented beauty in the human image.

Art in Islamic civilization expressed aesthetic values derived from geometric shapes and colors, as it was an expression of a new spirit and philosophical mentality that has a character for what we see in various Islamic arts.

For example, we limit drawing as a global word, which differs in its implications across its historical time and social spaces, that the word art and artistic practice in its Western connotations and in its relative sequence and in its external and high forms, European Renaissance, al-Hijliya and modernity,

The same signs are not produced as in the case of the external aesthetic forms called primitive (such as the Shroud of the Negro: the art of the Ocean Islands and the art of the Eskimo) that if there is no proximity at the level of form, this means that the artists and the East, like the Egyptian artists, work in a concept and in a symbolic concept, which are in both the same problems and the same possibilities.

Therefore, the proof is that tribal artists have a solution to aesthetic problems that unite in the same things, and William Roban controls the question by saying: For all the ingenious solutions in the plastic arts, they always and above all return to instinct: in independence of the speeches of artists who can build, William Roban says: immediately addressing the completion or other artists or other artists or of artists of artists. Speeches.

While modern Western civilization, as in the case of a contemporary researcher in aesthetics, as Greek beauty is classical in the Renaissance and is still struck by me today, and not in the directions of contemporary art as an expression of aesthetic philosophy that has its own nature, and is almost unanimous in the owners of modern trends in art and who do not disagree with each other.

Perhaps the ideal that today’s arts are moving towards, as the English historian Herbert Reed says, is to reach the level of music, in the words of Schopenhauer, that is, to reach the music of the music of beauty that is emitted only by pure artistic values.

Modern arts are all types that are directed today to achieve artistic values by creating artistic images that organize sensory modalities from sounds, shapes and colors organized by the soul and are satisfied with human taste, which is his admiration for the effects of fine arts.

This recent vision of the arts of contemporary sculpture and photography, which in some directions has become a language of lines, shapes and colors that address human taste more than a transfer and representation of an external truth. After studying and contemplating, he joined the fact that this type of experience in modern Western arts is radically different from that abstraction, which we find in many Arab Islamic arts, which express authentic aesthetic and spiritual values, especially that abstraction represented in Arab and Islamic aspirations.

This is because the aesthetic analysis of the works left by Muslims and most of them in various fields of art is the condition that cannot be overcome for the historical progress in Arab and Islamic art globally and for the historical and social promotion of the Arab Muslim artist. In general, this modern aesthetic philosophy has extended to literary arts, so the intention of intention in poetry or history is no longer measured by an external scale and referring to the achievement of an ethical goal or aiming to deviate from the scope of art.

Read: Defining the Emotional Literature

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Souad Khalil, hailing from Libya, is a writer, poet, and translator. She has been writing on culture, literature and other general topics.