Artists are exploring bold ideas while staying rooted in their traditions. It’s a dynamic and exciting time for the region’s art scene.

A Line Written with Honesty Will Always Endure – Ali Pasandideh

What first drew you to the art of calligraphy, and how did your journey begin?

At first, my only goal was to have good handwriting, but gradually I developed a deep interest in calligraphy. Eventually, I decided to pursue this art seriously.

Growing up in Iran, how did the cultural environment influence your artistic development?

Growing up in a country with a rich history of poetry, literature, and calligraphy deeply shaped my artistic vision. In Iran, calligraphy and poetry have always held a special place, and this cultural foundation had a significant impact on my growth.

Were there particular masters or styles that especially inspired you early in your career?

Yes. My first teacher at the Calligraphers Association was Master Ali Jaferi, who had a great influence on me. Later, Master Alireza Kadkhodaei helped me in my early professional path, especially with exhibitions. I was always inspired by the works of Master Amirkhani. Among historical masters, I was particularly influenced by Master Kalhor and often practiced by copying his scripts. I also admire the works of Mir Emad and Mirza Gholamreza Esfahani.

Can you describe your creative process when beginning a new piece?

Sometimes a vague image forms in my mind, and I start from there. Other times, a poem inspires me, and I try to create a suitable atmosphere for it. And occasionally, I just start writing and decide spontaneously as I go.

Nastaliq is a highly esteemed script—what challenges and rewards do you find in working with it?

Nastaliq is delicate and poetic. Its harmony and rhythm are challenging to master, but its beauty makes the effort deeply rewarding. It constantly pushes me to refine and elevate my work.

How do you balance tradition with personal innovation in your calligraphy?

I respect tradition, but I believe every artist must add something of their own. I try to maintain the essence of classical scripts while exploring new compositions and personal touches.

You’ve taught calligraphy for many years. How has teaching impacted your own art?

Teaching has helped me rediscover many principles of calligraphy. It keeps me grounded and sharp, and seeing students grow reignites my own passion for the art.

What do you believe is the most important quality for a student of calligraphy to develop?

Patience. This art takes years to develop. A calm and steady path, combined with dedication, is essential.

Could you share a memorable experience from your time teaching in Ankara or elsewhere internationally?

In Ankara, I was amazed by people’s enthusiasm for calligraphy. I remember a friend asked me to write his name, and soon a crowd gathered asking for the same. It was exciting to witness such interest.

You’ve held exhibitions around the world. Is there a particular exhibition or moment that stands out as especially meaningful?

The exhibition in Switzerland during the pandemic was meaningful to me. I couldn’t attend in person, but the works were sent and the exhibition opened on the scheduled date. I spoke from Tehran to the guests who attended the opening. The audience’s response was a special moment that showed how calligraphy can still connect with people in different parts of the world.

Your works have been featured at prestigious events like the Alkhat Festival and Khawla Foundation gatherings—how do you feel Middle Eastern creativity is evolving today?

I believe Middle Eastern creativity is flourishing. Artists are exploring bold ideas while staying rooted in their traditions. It’s a dynamic and exciting time for the region’s art scene.

What was your experience like when your artworks were sold at national auctions in Tehran?

Selling my work at Iran’s national auctions was encouraging. It gave me motivation and confidence to see that my art is reaching a wider audience.

You’ve also worked on art and psychology courses for children. How do you see the role of art in personal healing and development?

Art is a powerful tool for expressing emotions. In today’s stressful world, it can provide a space for release and personal expression. It also supports creativity and builds self-confidence.

In your view, what is the responsibility of an artist in today’s rapidly changing world?

An artist can help keep the spirit of beauty and creativity alive in society, and contribute to preserving cultural and human values through their work.

You recently exhibited at Kutubna Cultural Center in Dubai. What future projects or exhibitions are you currently excited about?

I’m always working on new and creative ideas and plan to continue this path. Whenever the opportunity arises, I exhibit my work.

Are there any new styles, collaborations, or experiments you wish to explore in the coming years?

Definitely. I would love to explore new experiences—both in materials and through works like calligraphic sculptures and three-dimensional pieces.

What has calligraphy taught you about life beyond the canvas?

The most important lesson is patience. Calligraphy develops slowly over time, teaching you to walk steadily and calmly. Also, through calligraphy, you connect with poetry and literature, and their wisdom starts to show in your life. It teaches not just art, but a philosophy of living.

If you could pass down one message to the next generation of artists, what would it be?

A line written with honesty will always endure.

Read – Art: Between Emotion and Form

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Courtesy: SandsAndCity

Photos: Instagram